Press Release


MILITARY CHANNEL’S BLUE ANGELS A YEAR IN THE LIFE TAKES HD TO NEW HEIGHTS WITH CANON LENSES

Stunning Maneuvers of Elite Navy Flyers Captured in HD by
a Squadron of Well-Equipped Canon Lenses



LAKE SUCCESS, N.Y., March, 25, 2005 – The awesome sight of the U.S. Navy’s Blue Angels, six tightly-packed F/A-18 Hornets executing precision moves at an altitude of 8,000 feet, will zoom into living rooms in HDTV thanks to a new four-part documentary on the Military Channel. Producing this dynamic High Definition video demanded the very best of people and equipment, which is why Henninger Productions and Director of Photography Rich Confalone chose Canon HDTV lenses.

"We could not have done this series without Canon lenses," Confalone stated. “Canon is doing a great job making lenses for filmmakers and the HD images coming out of their glass look fabulous. These lenses were designed by people who truly understand how filmmakers work.”

The challenges in capturing never-before-seen views of the Blue Angles’ pilots in and out of the cockpit were immense, ranging from getting a steady shot in a moving aircraft to shooting in an extremely confined environment. Two portable EFP lenses, the HD HJ40x10B IASD-V and the HJ11ex4.7B wide-angle lens from Canon empowered Confalone to surmount these difficulties as he shot the challenging series.

Confalone’s HJ40x10B, which is equipped with Canon’s unique Optical Image Stabilization system for shake-free shooting, was integral to getting previously unattainable long shots of the Blue Angels in flight.

"These planes can cover a mile in seven seconds and you’re following them at extreme angles," Confalone explained. “You can’t tell from the ground, but they often fly only 18 inches apart! The goal was to shoot these maneuvers as closely as possible. With Shift-IS Image Stabilization built into the lens, you can keep a much steadier shot at the really long focal lengths, which gave us many more opportunities to see the true proximity of these aircraft.”

Confalone and producer Brian Kelly, from Henninger Productions, worked with a Panasonic HD Varicam-based production package created by Able Cinetech.

"There were some special considerations with the Blue Angels' application that Canon lenses were uniquely suited to address," noted Rich Abel, Vice President and Director of Operations for Abel Cinetech. "The Canon HJ11ex4.7B has particularly low geometric distortion on the wide end, making it easy to use with confidence and exploit its extraordinary wide angle of view to really tell the Blue Angels' story." The long focal length of the Canon HJ40x10B also made a big impression on Confalone. “The lens is unusually versatile and long for a piece of HD glass,” he says. “It’s 10mm-400mm, and then it has a 2X extender that takes it out to a maximum of 800mm. It’s also a very friendly lens for camera operators who want to use it in more practical applications that seek the special shot, as often sought in episodic television. For example, if you’re shooting scenes of people walking and talking while following them at 400mm down Fifth Avenue, this lens is a great choice.”

Blue Angels: A Year In The Life premiered on Thursday, March 17 (Part One airs at 8 pm; Part Two at 9 pm) and Friday, March 18 (Part Three starts at 8 pm; Part Four at 9 pm) and went well beyond the Blue Angels' jaw-dropping “Delta” and “Diamond” formations. Capturing a year in the life of a pilot—both private and public—can uncover some intense images. Canon HD lenses helped Confalone capture those intimate and spontaneous storytelling moments.

"Just because it’s in HD doesn’t mean it has to be complex, and there’s a real need for mobility and portability in this show because the camera’s always around," Confalone noted. "The goal of this production is for me to ‘be there without being there,’ and my non-intrusive perspectives are from the Canon HJ11ex4.7B. It gives you much more of a present feel and allows you to capture those moments where everyone’s comfortable and things just happen."

A veteran cinematographer who got his start filming documentaries for National Geographic, Confalone expected true durability when he specified that Canon lenses were to be combined with his Panasonic Varicam camera for the series.

"There’s a definite comfort level in choosing Canon lenses," Confalone said. “They afford me a high level of reliability. I knew they would be dependable for me in very extreme situations. I find myself in jungles, volcanoes, and sometimes hanging out of an airplane at 25,000 feet. In all the years I’ve had Canon equipment, I’ve never had a lens fail—and that level of reliability carried me through an extraordinary range of shooting on this series.”

Canon’s HD HJ40x10B IASD-V and HJ 11ex4.7B utilize the Power Optical System featuring the X-Element optical technology for highest quality performance in a compact and lightweight housing that contribute to the lens’ outstanding overall optical performance.

"Canon has produced a family of HD lenses that match up perfectly with a wide variety of HD production packages," Confalone concluded. "They’re a really nice fit with all available HD cameras. That’s why I went the Canon route."

About Rich Confalone: With a background deeply rooted in motion picture film, Rich Confalone is a freelance cinematographer who has established himself at the forefront of HDTV production. Confalone has more than 15 years of documentary film experience in all formats, from Super 16 film to HD cinematography. Over the years, he has partnered with documentary film's most talented producers and technicians. Since 1997, he has worked regularly with the Discovery Channel and National Geographic Television. Confalone's work is not limited to documentaries; he has also worked on commercials for companies such as FedEx, music videos for Sony and RCA, and high-end industrial campaigns for Microsoft. For more information visit www.richconfalone.com.

About Military Channel: Launched in January 2005, the Military Channel is the only network providing viewers with the compelling stories of military life. Featuring real-world stories of heroism, military strategy, technological breakthroughs, and historical turning points, the network’s slate of series and specials are designed to take viewers “behind the lines.” Through the personal stories of servicemen and women, the Military Channel offers in-depth explorations of military technology, battlefield strategy, aviation, and history, allowing viewers to experience and understand a world full of human drama, courage, innovation, and long-held traditions.

About Canon U.S.A., Inc.
Canon U.S.A., Inc. delivers consumer, business-to-business, and industrial imaging solutions. The Company is listed as one of Fortune's Most Admired Companies in America and is rated #35 on the BusinessWeek list of "Top 100 Brands.” Its parent company Canon Inc. (NYSE:CAJ) is a top patent holder of technology, ranking third overall in the U.S. in 2004, with global revenues of $33.3 billion. For more information, visit www.usa.canon.com.

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EDITORS Please note corporate contact information for this division: For more information, please call Canon broadcast and communications division at 1-800-321-4388 or visit www.canonbroadcast.com.