YES ENHANCES ITS HD SIMULCAST OF “MIKE
AND THE MAD DOG” WITH FOUR CANON COMPACT STUDIO HD LENSES
AND AN ADDITIONAL WIDE-ANGLE HD PORTABLE LENS
Top Regional Sports Network Enhances Its
HD Programming with Canon’s Innovative DIGISUPER 22xs HD
Lenses and a New Canon HJ11ex4.7B IRSE Wide-Angle Portable
LAKE SUCCESS, N.Y., October 1, 2007 – Capturing
widescreen High-Definition video in a tightly confined radio studio
was the challenge faced by the YES Network, the most-watched regional
sports network in the country, which launched a 24/7 HD channel
earlier this year. YES, which televises the New York Yankees and
New Jersey Nets and also simulcasts WFAN Radio’s top-rated
“Mike and the Mad Dog” show live daily, met the challenge
by selecting four of Canon U.S.A. Inc.’s revolutionary DIGISUPER
22xs Compact Studio lenses, which deliver the performance of traditional
“box-style” HD studio lenses in a size scaled for
portable HD cameras.
“We need to represent the Yankees, ‘Mike
and the Mad Dog,’ and all of our HD programming in the best
possible technical light,” explained John McKenna, Chief
Engineer of the YES Network. “We strive for the highest
quality in video and audio in our productions. Everything we do
here supports that philosophy. When it comes to lenses, we get
top performance from Canon.”
In order to present its “Mike and the Mad
Dog” simulcasts optimally in HD, YES’ four DIGISUPER
22xs Compact Studio lenses in the WFAN studios will each be mated
to a Sony HDC-X300 HD camera attached to a Telemetrics robotic
camera mount for use during the “Mike and the Mad Dog”
simulcasts.
“We already had Telemetrics robotic camera
mounts in place inside the WFAN studio, so it was important to
us to be able to match the camera/lens configuration to the system
that was there,” McKenna explained. “The compact size
of the Canon DIGISUPER 22xs HD lenses on our Sony HDC-X300 HD
cameras gives us extremely high-quality resolution within the
weight requirements of the robotic camera mounts. The success
of this set-up provides us with an additional six hours of daily
programming for our hi-def channel, YES HD. We are able to operate
the configuration from 40 miles away in our Stamford, Connecticut
broadcast center.”
The Compact Studio HD lens is an entirely new product
category created two years ago by Canon. Smaller in size than
a traditional studio HD lens, the DIGISUPER 22xs Compact Studio
HD lens is designed for use with portable HD cameras configured
for studio use. Officially designated as the model XJ22x7.3B IE-D,
the DIGISUPER 22xs Compact Studio HD lens is an advanced optical
system based on Canon's classic studio lens design principles.
The DIGISUPER 22xs Compact Studio HD lens weighs just 13.4 lbs.,
which provides an appropriate HD studio lens/camera package that
can be supported on a modest-size pedestal or a sturdy tripod
system.
The DIGISUPER 22xs Compact Studio HD lens provides
the unsurpassed HDTV optical quality of a full-size Canon “box-style”
HD studio lens, but in a much smaller form factor. Like the full-size
Canon HD studio lenses, the DIGISUPER 22xs features Canon’s
X-Element and Power Optical System to achieve the highest possible
specifications in an extremely compact and lightweight package
that’s also ideal for robotic-system application.
Top performance is a hallmark of this first-ever
Compact Studio HD lens; with a maximum zoom speed of .5 seconds
and focus of 1.5 seconds, the DIGISUPER 22xs Compact Studio HD
lens features an f-stop of 1.8 that provides very fast optical
performance, excelling in low light. It offers a focal length
of 7.3-161mm, and - when used with the 2X extender - can achieve
a focal length of 14.6-322mm. A choice of three different zoom
and focus-control systems enables users to tailor the DIGISUPER
22xs Compact Studio HD lens to their exact requirements. An included
supporter system for both camera and lens ensures a rigid support
for every configuration. The DIGISUPER 22xs Compact Studio lens
also provides status information on an easy-to-read display for
such critical lens parameters as f-stop, focal length and focusing
distance.
Meanwhile, On the Field...
All of the video cameras that YES uses to capture Yankees games
are outfitted with Canon lenses. On-the-field coverage is being
further enhanced with the addition of an extra Canon HJ11ex4.7B
IRSE eHDxs ENG/EFP portable HD zoom lens. The widest angle-of-view
portable HD production lens offered by Canon, the HJ11ex4.7B features
the optical excellence of Canon’s eHDxs technology, which
employs Canon’s exclusive X-Element and Power Optical System
for high-quality optics in a robust, compact, and lightweight
housing that weighs just 4.10 lbs. The HJ11ex4.7B’s Enhanced
Digital Technology eDrive features further enhance the lens’
versatility. With eDrive, users can easily pre-program functions
such as zoom starts and stops, zoom speeds, f-stops and memorized
focus settings to achieve intricate, high-impact shots. Automating
these repeatable lens functions is done via an easy-to-use LCD
menu, assignable “soft” function buttons, and the
rocker switch built into the lens grip. Users can program multiple
settings or none at all depending on their personal needs and
preferences.
A long-time Canon user, McKenna praised Canon’s
commitment to total service and support. “I could always
count on getting quick service turnaround, and even when I was
working at small-market stations, Canon had loaners for us,”
he stated. “Most recently, Canon engineers have been extremely
responsive in helping us to optimize our lenses for on-the-field
green screen applications that we’ve been developing for
Yankee broadcasts.”
“We are honored that our HD studio and portable
lenses have been selected by YES HD,” added Gordon Tubbs,
director, Broadcast and Communications Division, Canon U.S.A.
“Sports fans have a special appreciation for the visual
power that HDTV images can convey. Every Canon HD lens is designed
for championship performance in capturing the sporting world’s
most exciting moments.”
With YES moving steadily toward being 100 percent
HD, Canon HD lenses will continue to be an integral part of its
signal path. “When you’re building an HD network,
you need the best possible lenses in order to get the best possible
picture,” noted McKenna. “Up and down the line, we
get the best performance from Canon.”
About Canon U.S.A., Inc.
Canon U.S.A., Inc. delivers consumer, business-to-business,
and industrial imaging solutions. The Company is listed as one
of Fortune’s Most Admired Companies in America and is on
the 2006 BusinessWeek list of “Top 100 Brands.” Its
parent company, Canon Inc. (NYSE:CAJ), is a top patent holder
of technology, ranking third overall in the U.S. in 2006†,
with global revenues of $34.9 billion. To keep apprised of the
latest news from Canon U.S.A., sign up for the Company’s
RSS news feed by visiting www.usa.canon.com/pressroom.
All referenced product names, and other marks, are
trademarks of their respective owners.
Specifications and availability are subject to change
without notice.
†IFI Patent Intelligence, January 11, 2007
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